The Binary Entanglement

My first scene built and rendered entirely in CG. The caravan is my parents' first caravan — it has been around since the year I was born, and I watched it age in the garden for decades. When I built my first full world, I wanted to use it: an object I knew completely, altered to suit the story.

It sits off-grid under an electricity pylon, rigged to survive and stay connected at once — mismatched solar panels, a satellite dish, a cluster of aerials. Inside, an old CRT glows cyan, a maze turning on its screen above the words Binary Entanglement Loading, and a VR headset rests on the bed. The physical and the digital are wired into the same small room.

It came out of a long push for full control over image-making — building the real set for my MFA, hitting its limits, and moving into 3D to construct the world exactly. The same forensic attention I carry back to the canvas.